Author: johntruelove

Professional Musician, Bassist, Writer

DJ TrumpsterFire

I have not been getting much writing done lately because I have been busy with other demands and also I went through a period called: End-of-Year-Burned-Out-Lazy (I should trademark that phrase but then again, I am sort of lazy).

I have not been completely unproductive, however. Here is an object d’art that was spawned by this odd, listless period. It is the sort of non-sense that happens when you give a writer access to After Effects, Ableton Live, an electric bass, AI generated images and free b-roll.

It is just for fun, so please read my disclaimer below before you start sending me hate mail.

DISCLAIMER: This post is intended for entertainment only. This post neither promotes nor condemns the type of music DJs producer and perform. This post neither promotes nor condemns any political party or political figures. 

Give Credit Where Credit is Due:

Llano

A cold skeleton spans the Llano.

Steel ribs crisscross through saffron vapor.

Tinged with the remains of a lost day's fire,

The crescent is a tender cradle

Should Venus slip and fall.













 

 

 

 

It is Over My Head

The people on the first floor complain about the noise overhead. Those are my feet on the floorboards of the second floor. I gripe about the music on the third throbbing through my plastered ceiling. The vertical lamentations continue, I am certain, all the way through the tar topped roof to the gates of heaven and through levels of divine bureaucracy right up to the throne. I protested my older siblings who accused my parents of injustice who bitched about bosses who fretted over the government that worried over other governments and squadrons of soaring missiles. There is not enough rain. There is too much snow. The sun is too hot and the moon is driving us to lunacy over the satellites swarming in the thermosphere when a call is dropped. God must be ignoring our prayers.

Adapting to Climate: The Role of Cowboy Hats and Portability in Roofing

Everyone needs a roof over their head. Even with His promise of eternal peace, Heaven can be merciless to those yet to ascend. I grew up beneath a roof of humble tin. Anyone of Heaven’s summer tantrums transformed the roof into a metal drum. At night, in bed, the hypnotic rhythm lulled me to sleep. Insomniacs and people who cannot stand a moment of silence pay good money to hear that sound playing through a lo-fi cell phone speaker on the nightstand. Tin was simple, probably cheap, too, but it wasn’t the best option. It required regular coats of special paint like a battleship or the Golden Gate bridge. In the summer the attic was a dangerous sauna, in the winter, a meat locker. Many Spanish roofs are thatched and kept in perpetual antiquity by their town’s heritage site status. Finding a leak in a burly cluster of reeds must be troublesome. Perhaps one day the community leaders will upgrade like the quaint hamlet of Lacock that naps quietly beneath slate tiles, likely cut from the same Druid quarry as nearby Stonehenge. I live beneath a modern roof but it needs an upgrade despite the 30 year guarantee. Fifteen Texas summers would weaken the resolve of any citadel. I wear a cowboy hat whenever I brave the the elements. It is a personal roof that is both portable and affordable, and, depending on who you ask, fashionable. Despite this aegis, however, my resolve has weakened like so many hangdog roofs around here and it won’t be long before I remove my hat and accept the furious glory of Heaven. 






Dear Reader, just for fun I used WP’s artificial intelligence tools to generate the title and the image. The content of the post is all Truelove.

Good Time

Hola, friends and lovers. Recently I did some research on AI generated music to find out how long it will take before flesh and bone musicians are completely replaced by a neural network. I may not be a big fan of EDM and the like, but I am obsessed with learning the process of how other composers create even if that composer is an algorithm that uses random models to deliver lo-fi beats and lush soundscapes. It was fun to play around on websites like Loudly and Soundful and you should check them out, too. Even if you have no aptitude for music, and I think that is one of the selling points, you will be creating exciting background music for your next tik-tok with a few mouse clicks.

If you are purist, you will be happy to know that this new recording titled “Good Time” is 98% non-AI. In fact, I collaborated with another genuine human guitar player who played his parts on a real guitar through a real amplifier right in front of me.

I cannot say the same for the image above. That was created by typing a string of words into an image generator. It should stand as proof that we are at least a year away from being replaced.

Hello how do you do, let me introduce myself to you
I’m a good time, I’m easy to find

We can burn like a flame, we can chill like ice
We can ignore all that good advice

We can live on credit, we can pay by cash
We can live like kings or just poor white trash

24 7 call me day or night
All you have to do is do what feels right

I can climb on top, you can slide beneath
I can be that gristle stuck in your teeth

We can do a day, we can do a year
We can make a plan or play it by ear

24 7 call me night or day
Everything you want is just one call away

24 7 three hundred sixty-five
All you have to do is be alive

We can stay, we can go
No one ever has to know

4 in the Morning

Thanksgiving Scene

A strip of white, a red stripe

A patch of blue with a blinking star

Bare limbs rattle in a gust

Crisp leaves pirouette and drop dead

Old Glory has curled into itself against the cold

Roosevelt Roach

craiyon_065856_cockroach_with_a_top_hat_and_suitcaseSo there I go after that rascal Lewis and I’m just too fat for this kind of thing nowadays. Crazy Lewis and his tomfoolery are always getting me into some kind of mess. If you want to know my opinion he’s breathed in too much of that boric acid. I tell him to keep clear of that stuff but he won’t listen and I think that dust has given him brain damage. How else can you explain his jackass ideas and stunts he’s always pulling?

Since we moved into the Roosevelt, Lewis and me have been living high on the hog, I tell you what. The grub here is top notch, the carpets are velvety soft and the tile is nice and cool. But I say to Lewis, I say: “Lewis, we got to keep a low profile here, buddy. One look at a pair of jokers like us and the management sends in the chemical warfare units.”

Everyone knows the Roosevelt is a ritzy joint. A far cry from the Ambassador across town where one of the sleazebag owners has to see a whole bunch of us before he does a damn thing. And that “damn thing” usually amounts to no more than putting a few traps behind the toilet that none of us are stupid enough to go into. At any rate, I’m saying the Ambassador may be a lot safer but the amenities leave a little to be desired as does the clientele who frankly make my thorax creep.

But does Lewis listen to me? No.

There I was enjoying breakfast in front of suite 209 where a guest had put a room service tray out the night before. Like I said, I am getting fat living here. This was prime rib and I was working on a nice scrap of pink flesh still on the bone when up pops Lewis over the crust of a dinner roll. He says to me, “Jimmy, I got an idea for some fun.” His antennae start bouncing every which way when he gets excited about something, especially if risk is involved.

Lewis finds out there is going to be a big fundraiser in the oak ballroom for the mayor. They’re charging a thousand clams a plate so you know the hotel is going to be lousy with politicians, celebrities and captains of industry types. His big idea for fun is to run out on the guest of honor table just after the main course is served. 

I say, “Lewis, have you lost your mind? That’s suicide or, at the very least, our eviction.” 

But he doesn’t listen, and before I have a chance to argue the elevator down the hall opens and out comes housekeeping so we scurry off, toot sweet.

Well, the night of the big event comes and, despite my better judgment, we head down to the oak ballroom. Beneath the crystal chandeliers the upper echelon of society are seated around enormous circular tables facing the stage at the head of the ball room. The zeitgeist is dressed to the nines in black ties and pearls and sipping top shelf booze. Behind a long table on the stage the honored guests are positioned in order of importance from both ends to the middle where the mayor sits beside an ornate lectern fixed with a couple of microphones. Lewis climbs up the white table cloth to take a peek with me right behind, all the while trying to convince him to reconsider. Just as everyone starts to chow down on the main course Lewis takes off, making a beeline (Ha! Yes, I know: beeline. Very funny.) for the far side. 

Of course, this night of all nights, the Roosevelt decides to serve broiled lamb chops and two places down from the mayor, a careless diner lets a dollop of mint jelly slide off her spoon right onto the nice, clean table cloth directly in the path of a lunatic cockroach named Lewis. In his frenzy to cross he doesn’t notice the sticky, green gelatin until it’s too late and he plows headlong into the goop. Now he’s stuck and the lady beside the mayor is pointing and screaming and the mayor is motioning for a waiter and somebody else is hammering away with a teaspoon trying to kill poor Lewis.

I do my best to reach him before the spoon hits home but my extra weight has made me a lot slower than I used to be. At this point the whole table is on alert for creepy-crawlies and my presence does not go unnoticed. Every few inches some yahoo is trying to brain me with a water glass or a piece of cutlery. I was almost skewered with a fork before I got to helpless Lewis. I gobble up enough jelly around his big, empty head to get him loose and we take off together over the edge of the table.

The situation on the other side of the lectern is a little less frantic and we have a little time to catch our breath in the shelter of saucer. Lewis is enjoying all of this, mind you, and is giggling away while he licks the mint jelly out of his leg hairs when a big hand lifts our cover, leaving us wide open for a coup de grace from a rolled up copy of the Daily Herald.

This time we take a stealthier route, scuttling sideways along the front of the tablecloth to the horror of the entire assembly. The free flowing material is a difficult terrain compared to a flat table top and we struggled over the folds like hikers over a wilderness of snow drifts. We make it to the floor and don’t stop running until we reach the kitchen and sanctuary beneath a freezer unit. Lewis is in hysterics, rolled over on his wings and beating his abdomen with all six legs laughing like a loon on the floor of an asylum. 

The very next day , as I predicted, there is an army of goons hosing the joint down with liquid death while the Roosevelt’s assistant manager follows them around with a clipboard carrying on like it’s the end of the world. I tell you what, one day I’m gonna have to cut that Lewis adrift, but as for now I guess it’s back to the Ambassador.

Economy

A dry rasp of cellophane scrapes
          White noises’ impenetrable wall
                    Where pages of the daily news snap, 
                    pennants on the battlements 

Rattling ice in a plastic cups
	Silent crystal lace on the windows
		Hushed voices murmur, 
                the secret language of ghosts

A salient protest from a babe in arms
          Pierces the cyclonic fury of twin engines
                 heaving sub zero blue

Villanelle for an Old Friend

Some time ago, I read a criticism on modern poetry posted online. It was the author’s opinion that today’s poets are unable to write verse in classic forms such as sonnets and the like. He held that bards in our present era had abandoned poems with deep meaning that utilized rhythm, rhyme and structure, preferring instead, undisciplined lines of rambling, obtuse emotions.

There is some truth in this: the last Kenyon Review I read did not contain any Ballads, Odes or Epics. However, relinquishing classic methodology does not necessarily translate into ineptitude as the author implied. Rather than piling on with his many detractors in the comments section, I chose to prove that I was capable by composing a villanelle.

I mostly forgot all about it until this weekend when I received news that I had lost one of my dearest and oldest friends unexpectedly. He and I grew up together and formed the type of bond you might find between brothers, one that created a secret language, codes and references understood only by the two of us. He was a talented musician, playing the guitar was effortless to him, he simply channeled divinity. Despite his gift, he was never conceited, and was always charitable to the ham-fisted way I approached my instrument.

At the time I wrote this poem, I would have thought it inconceivable that I would be dedicating it to his memory one day.

I will blow a trumpet bright
To summon this old man from sleep
I will beat a snare drum tight

He slumbers on as if it is night
While all around the ladies weep
I will blow a trumpet bright

If cacophony helped him reunite
With life from his silken box he'd leap
I will beat a snare drum tight

My towhead has grown slowly white
I've watched friends go as the clock hands sweep
I will blow a trumpet bright

Now you have gone, my dearest light
Tears rise from the well of sorrow deep
I will beat a snare drum tight

I have grown old but yet not erudite
And still try and wake what I wish to keep
I will blow a trumpet bright
I will beat a snare drum tight